Den elektroniske musiks Historie
Her vil du kunne se mere om baggrunden for Electronic Musics og Animations historie. Vi udbygger denne section hen af vejen...
Elektronisk musik er et vidt begreb, men er kendetegnet ved, at alle (eller de fleste) lyde i lydbilledet er genereret afelektroniske musikinstrumenter eller via båndoptager, tonegeneratorer. Desuden kan der anvendes software til at danne lyden eller bearbejde den.
Danmarks første elektroniske komponist er Else Marie Pade. Af de tidligste elektroniske komponister internationalt kan nævnes Pierre Schaeffer, Karlheinz Stockhausen og Herbert Eimert.
Karlheinz Stockhausen
I dag er forskellen mellem elektronisk og akustisk (som regel elektrisk forstærket) rock mere eller mindre udvisket, og selv store rockkunstnere bruger flittigt elektroniske musikinstrumenter i udarbejdelsen af deres lyd. Dog bruges betegnelsen "elektronisk musik" i reglen om musik der udelukkende er elektronisk.
(Uddrag fra Wikipidia)
Else Marie Padde
Else Marie Pade. En af Dansk Electronic Musics pionerere.
Else Marie Pade var en af de første danskere til at komponere musik med elektroniske musiksekvenser med hverdagslyde, konkret musik: En dag på dyrehavsbakken, 1953-1955. Senere fulgte Jørgen Plaetner 1960 med en Kantate over et gruk af Kumbel, Per Nørgård i 1962 med værket Titanic, Bent Lorentzenafholdt i 1966 det første elektrofonikursus i Danmark på Det Jyske Musikkonservatorium, Gunner Møller Pedersen og Fuzzy gennemførte sammen i 1972 fireMUSIKZAG-projekter.
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Josef Tal
Josef Tal. En af Electronic Music pionererne
Tangerine Dream
Tangerine Dream is a German electronic music group founded in 1967 by Edgar Froese. The band has undergone many personnel changes over the years, with Froese being the only continuous member. Drummer and composer Klaus Schulze was briefly a member of an early lineup, but the most stable version of the group, during their influential mid-1970s period, was as a keyboard trio with Froese, Christopher Franke, and Peter Baumann.
Early in the 1980s, Johannes Schmoelling replaced Baumann, and this lineup, too, was stable and extremely productive.
Tangerine Dream's early "Pink Years" albums had a pivotal role in the development of Krautrock. Their "Virgin Years" and later albums became a defining influence in the genre known as New Age music, although the band themselves disliked the term.
Although the group has released numerous studio and live recordings, a substantial number of their fans were introduced to Tangerine Dream by their film soundtracks, which total over sixty and includes Sorcerer, Thief, The Keep, Risky Business, Firestarter, Legend, Near Dark, and Miracle.
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Kraftwerk
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Kraftwerk (German pronunciation: [ˈkʀaftvɛʁk]), German for power plant or power station, is an electronic music band from Düsseldorf, Germany. The group was formed by Ralf Hütter and Florian Schneider in 1970, and was fronted by them until Schneider's departure in 2008. The signature Kraftwerk sound combines driving, repetitive rhythms with catchy melodies, mainly following a Western Classical style of harmony, with a minimalistic and strictly electronic instrumentation.
Fantastisk performance og musik...
The group's simplified lyrics are at times sung through a vocoder or generated by computer-speech software. Kraftwerk were one of the first groups to popularize electronic music and are considered pioneers in the field. In the 1970s and early 1980s, Kraftwerk's distinctive sound was revolutionary, and has had a lasting effect across many genres of modern music.
Jean Michel Jarre
Jean Michel Jarre was born on 24 August 1948 in Lyon, the son of composer Maurice Jarre and French Resistance member and concentration camp survivor France Pejot.[2][3][4] The two separated when Jarre was five years old, his father moving to the United States, while Jarre remained with his mother in the suburbs of Paris.[5] Jarre did not meet his father again until he was eighteen.[3] He was born into a family of artists; his Grandfather, André Jarre, was an oboe player, engineer and inventor, who perfected the first audio mixer (used at Radio Lyon). He also gave Jean Michel his first record player.[6] For the first eight years of his life, for six months of each year Jean Michel lived at his grandparent's flat along the Cours de Verdun, in the Perrache district of Lyon. As a child he watched street performers from the window, later citing their music as an influence on his art (traces of this can be found on his album Équinoxe, particularly "Équinoxe Part 8").